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The B-flat Augmented Chord is B-flat, D, and F-sharp: black, white, black. The intervals are equal, and the chord has that open, suspended sound of augmented chords.
Let’s go through some charts that will familiarize you with the B-flat Augmented Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
An augmented chord stacks two major thirds. Because the intervals are equal, no note sounds like a tonic, and the chord has no place to rest. It is a coloring chord, not a home chord: it hangs in the air and asks for a resolution.
The B♭ augmented chord is the raised-fifth dominant (V+) in E♭ major. In minor keys, it is the mediant (III+) in G minor.
It is often heard in the chromatic line B♭ – B♭+ – B♭6 – B♭7, where the top voice rises F, F♯, G, A♭ and the raised fifth is the step that makes it move. The same three notes also make D augmented and F♯ augmented, so one shape on the keyboard serves three chords, and the key decides which name is right. Try playing B♭ and then B♭+ and listen to how the raised top note lifts the sound.
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