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The B-flat Diminished 7th Chord is B-flat, D-flat, F-flat, and A-double-flat: on the keyboard, B-flat, D-flat, E, and G. Two black keys at the bottom, two white keys at the top, and the same even spacing through every inversion.
Let’s go through some charts that will familiarize you with the B-flat Diminished 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The diminished 7th stacks three minor thirds, and every interval is the same size. That symmetry gives the chord a tense, suspended sound, and it is the most flexible chord for changing keys: the same four notes can lead to four different places.
The common keys that use this chord are sharp keys, so it is usually written as A♯ diminished 7th, and the spelling follows the key. The A♯ diminished 7th chord is the leading-tone chord (vii°7) in B major. In minor keys, it is the leading-tone chord (vii°7) in B minor.
It works like a dominant 7th chord with a flat ninth and the root missing: A♯°7 is the upper four notes of F♯7♭9, so it resolves to B the way F♯7 does. It is also a passing chord that slides between two chords: A – A♯°7 – Bm7, and the bass line simply climbs by half step. Try playing it once and resolve up a half step from each of its four notes in turn, and listen to how the same chord points to four different keys.
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