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The B-flat Half-Diminished 7th Chord is B-flat, D-flat, F-flat, and A-flat. The F-flat is the white key E, so only the third note is white. The spelling takes some reading, but the hand shape is compact, with a dark, searching sound.
Let’s go through some charts that will familiarize you with the B-flat Half-Diminished 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The half-diminished 7th is a diminished triad with a minor seventh, and it is a softer kind of tension than the fully diminished chord. It is the ii chord of minor keys and the vii chord of major keys, and it usually leads to a dominant.
The common keys that use this chord are sharp keys, so it is usually written as A♯ half-diminished 7th, and the spelling follows the key. The A♯ half-diminished 7th chord is the leading-tone chord (viiø7) in B major. In minor keys, it is the supertonic (iiø7) in G♯ minor.
The notes are also a minor 6th chord in inversion: A♯ø7 contains the same four notes as C♯m6, which is why theory books sometimes describe it as a minor triad with an added sixth. Try playing A♯ø7 and then A♯°7: the two chords differ by a single note, and it is worth hearing how much that one half step changes.
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