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The C Half-Diminished 7th Chord is C, E-flat, G-flat, and B-flat, with only the thumb on a white key. Once the thumb finds C, the other three fingers fall onto the black keys together. The chord has a darker, searching quality, a little less tense than a fully diminished seventh because of the B-flat on top.
Let’s go through some charts that will familiarize you with the C Half-Diminished 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The half-diminished 7th is a diminished triad with a minor seventh, and it is a softer kind of tension than the fully diminished chord. It is the ii chord of minor keys and the vii chord of major keys, and it usually leads to a dominant.
The C half-diminished 7th chord is the leading-tone chord (viiø7) in D♭ major. In minor keys, it is the supertonic (iiø7) in B♭ minor.
The pattern to know is ii – V – i in a minor key. In B♭ minor that is Cø7 – F7 – B♭m. The notes are also a minor 6th chord in inversion: Cø7 contains the same four notes as E♭m6, which is why theory books sometimes describe it as a minor triad with an added sixth. Try playing Cø7 and then C°7: the two chords differ by a single note, and it is worth hearing how much that one half step changes.
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