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The C-sharp Dominant 7th Chord is C-sharp, E-sharp, G-sharp, and B. The E-sharp is the white key F, so the chord alternates black and white keys. With the 1-2-3-5 fingering, the second finger lands on that white key between two black ones, which is worth noticing slowly before playing it at tempo. The chord pulls strongly toward F-sharp.
Let’s go through some charts that will familiarize you with the C-sharp Dominant 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The dominant 7th is the chord that most wants to resolve. Its third and seventh form a tritone, and each of those notes pulls by step: the third up, the seventh down. That pull is what makes V7 lead so firmly to I.
The C♯ dominant 7th chord is the dominant (V7) in F♯ minor. On the keyboard this is the same chord as D♭ dominant 7th, and the spelling follows the key. The D♭ dominant 7th chord is the dominant (V7) in G♭ major.
The resolution is C♯7 – F♯: E♯ steps up to F♯ and B steps down to A♯. At a cadence, V7 – I is the sound of a phrase ending. When a dominant 7th chord turns up in a key where it isn’t the V7 (the chord built on the fifth scale degree), it is almost always pointing at the chord a fourth above it. Try playing C♯7 and then F♯ and listen for those two half steps.
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