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The C-sharp Major Chord is C-sharp, E-sharp, and G-sharp. The E-sharp is the white key F, so the chord is black-white-black: two black keys on the outside with a white key in the middle. It's the same set of keys as D-flat major, just spelled for sharp keys, and it sits comfortably under the hand once we let the fingers move into the black keys.
Let’s go through some charts that will familiarize you with the C-sharp Major Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
A major chord is the most settled sound in tonal music. What it does depends on the key around it: it can be home, it can lead away from home, or it can pull back toward it.
The C♯ major chord is the dominant (V) in F♯ minor. On the keyboard this is the same chord as D♭ major, and the spelling follows the key. The D♭ major chord is the tonic (I) in D♭ major, the dominant (V) in G♭ major, and the subdominant (IV) in A♭ major. In minor keys, it is the mediant (III) in B♭ minor, the submediant (VI) in F minor, and the subtonic (VII) in E♭ minor.
Three chords, I, IV, and V, account for a great deal of the hymns, folk songs, and early classical pieces a student will meet. In D♭ major that is D♭ – G♭ – A♭ – D♭. Try listening for the job the chord is doing: after the dominant it sounds like arriving, and after the tonic it sounds like stepping away.
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