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The E-flat Dominant 7th Chord is E-flat, G, B-flat, and D-flat: an E-flat major chord with a D-flat on top. With four notes, the hand spreads further than it does for a triad, and the fingering becomes 1-2-3-5, so the fourth finger stays out of the way. Let's listen for the D-flat at the top. It gives the chord its pull toward A-flat, and it's easy to let it get buried.
Let’s go through some charts that will familiarize you with the E-flat Dominant 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The dominant 7th is the chord that most wants to resolve. Its third and seventh form a tritone, and each of those notes pulls by step: the third up, the seventh down. That pull is what makes V7 lead so firmly to I.
The E♭ dominant 7th chord is the dominant (V7) in A♭ major. On the keyboard this is the same chord as D♯ dominant 7th, and the spelling follows the key. The D♯ dominant 7th chord is the dominant (V7) in G♯ minor.
The resolution is E♭7 – A♭: G steps up to A♭ and D♭ steps down to C. At a cadence, V7 – I is the sound of a phrase ending. When a dominant 7th chord turns up in a key where it isn’t the V7 (the chord built on the fifth scale degree), it is almost always pointing at the chord a fourth above it. Try playing E♭7 and then A♭ and listen for those two half steps.
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