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The E Half-Diminished 7th Chord is E, G, B-flat, and D, with the one black key under the third finger. That B-flat is what separates it from E minor 7th, and it's where the darker, more searching quality comes from. Let's keep the third finger slightly forward so it reaches the black key easily.
Let’s go through some charts that will familiarize you with the E Half-Diminished 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The half-diminished 7th is a diminished triad with a minor seventh, and it is a softer kind of tension than the fully diminished chord. It is the ii chord of minor keys and the vii chord of major keys, and it usually leads to a dominant.
The E half-diminished 7th chord is the leading-tone chord (viiø7) in F major. In minor keys, it is the supertonic (iiø7) in D minor.
The pattern to know is ii – V – i in a minor key. In D minor that is Eø7 – A7 – Dm. The notes are also a minor 6th chord in inversion: Eø7 contains the same four notes as Gm6, which is why theory books sometimes describe it as a minor triad with an added sixth. Try playing Eø7 and then E°7: the two chords differ by a single note, and it is worth hearing how much that one half step changes.
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