Questions and answers
No questions on this lesson yet. Be the first to ask one.

The G Half-Diminished 7th Chord is G, B-flat, D-flat, and F: white keys on the outside and black keys in the middle. The inner fingers move into the black keys together, and the sound has a dark, searching quality.
Let’s go through some charts that will familiarize you with the G Half-Diminished 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The half-diminished 7th is a diminished triad with a minor seventh, and it is a softer kind of tension than the fully diminished chord. It is the ii chord of minor keys and the vii chord of major keys, and it usually leads to a dominant.
The G half-diminished 7th chord is the leading-tone chord (viiø7) in A♭ major. In minor keys, it is the supertonic (iiø7) in F minor.
The pattern to know is ii – V – i in a minor key. In F minor that is Gø7 – C7 – Fm. The notes are also a minor 6th chord in inversion: Gø7 contains the same four notes as B♭m6, which is why theory books sometimes describe it as a minor triad with an added sixth. Try playing Gø7 and then G°7: the two chords differ by a single note, and it is worth hearing how much that one half step changes.
No questions on this lesson yet. Be the first to ask one.