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The F-sharp Aeolian mode is the F-sharp natural minor scale under its modal name: F-sharp, G-sharp, A, B, C-sharp, D, and E. Let’s look at it on the keyboard and on the staff, with fingering for both hands, and hear where it sits among the seven modes.
On the keyboard, F-sharp Aeolian uses F-sharp, G-sharp, A, B, C-sharp, D, and E, with F-sharp, G-sharp, and C-sharp on black keys, and F-sharp again at the top. These seven notes are the A major scale, started on its 6th note. The notes are shared, but the home note is F-sharp, and that changes how the scale sounds.
The F-sharp Aeolian mode and the F-sharp natural minor scale are the same scale: the same notes, the same fingering, and the same sound. Aeolian is the name the natural minor takes when we place it among the modes.
It’s a useful reference point. Dorian, Phrygian and Locrian can each be heard as this scale with a note or two changed.
The two charts show the fingering one hand at a time. Each hand covers the seven notes in two positions, a group of three fingers (red) and a group of four (blue); a note in green is an extra note at the end of the scale, outside the two positions.
The right hand starts on F-sharp with the 3rd finger. Going up, the thumb passes under to A after the 4th finger on G-sharp and to D after the 3rd finger on C-sharp. The top F-sharp is played with the 3rd finger. This is the fingering of the F-sharp natural minor scale.
The left hand starts on F-sharp with the 4th finger. Going up, the 3rd finger folds over the thumb from B to C-sharp and the 4th finger folds over the thumb from E to F-sharp. The top F-sharp is played with the 4th finger. This is the fingering of the F-sharp natural minor scale.
On the staff, the eight notes climb by step from F-sharp to F-sharp, the right hand in the treble clef and the left hand an octave lower in the bass clef. F-sharp Aeolian is written with the key signature of A major: three sharps (F-sharp, C-sharp, and G-sharp). The key signature belongs to A major, but here the line begins and ends on F-sharp, and that’s what makes it F-sharp Aeolian.
Next, F-sharp Aeolian as we’ll practice it: up one octave and back down, one note per beat, ending on a half note. The fingering for the right hand is written above the notes and for the left hand below.
The notes and fingering are those of the natural minor scale, so the hands usually know them already. What’s worth practicing is evenness and a clear sense of the minor home note. Let’s work on it in a few stages.
A few things tend to go wrong in F-sharp Aeolian:
Other techniques related to F-sharp Aeolian:
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