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The D Dominant 7th Chord is D, F-sharp, A, and C. Only the second note is a black key, so the second finger reaches into the black keys while the others stay on white. The chord has a strong pull toward G, and the C on top is what creates that pull, so let's make sure it's clearly heard.
Let’s go through some charts that will familiarize you with the D Dominant 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The dominant 7th is the chord that most wants to resolve. Its third and seventh form a tritone, and each of those notes pulls by step: the third up, the seventh down. That pull is what makes V7 lead so firmly to I.
The D dominant 7th chord is the dominant (V7) in G major. In minor keys, it is the dominant (V7) in G minor.
The resolution is D7 – G: F♯ steps up to G and C steps down to B. At a cadence, V7 – I is the sound of a phrase ending. When a dominant 7th chord turns up in a key where it isn’t the V7 (the chord built on the fifth scale degree), it is almost always pointing at the chord a fourth above it. Try playing D7 and then G and listen for those two half steps.
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