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The D-flat Augmented Chord is D-flat, F, and A, with the thumb on a black key and two white keys above. The spacing is even, and the sound has that suspended, unresolved quality of augmented chords. Starting on a black key, the thumb wants to sit slightly further in than it would on a white key.
Let’s go through some charts that will familiarize you with the D-flat Augmented Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
An augmented chord stacks two major thirds. Because the intervals are equal, no note sounds like a tonic, and the chord has no place to rest. It is a coloring chord, not a home chord: it hangs in the air and asks for a resolution.
The D♭ augmented chord is the raised-fifth dominant (V+) in G♭ major. In minor keys, it is the mediant (III+) in B♭ minor. On the keyboard this is the same chord as C♯ augmented, a spelling none of the common keys uses.
It is often heard in the chromatic line D♭ – D♭+ – D♭6 – D♭7, where the top voice rises A♭, A, B♭, C♭ and the raised fifth is the step that makes it move. The same three notes also make F augmented and A augmented, so one shape on the keyboard serves three chords, and the key decides which name is right. Try playing D♭ and then D♭+ and listen to how the raised top note lifts the sound.
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