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The F-sharp Half-Diminished 7th Chord is F-sharp, A, C, and E, with only the thumb on a black key. The other three notes are white keys, so the hand tends to drift toward the front of the keys, and it's worth keeping it far enough in for the thumb to stay comfortable on F-sharp.
Let’s go through some charts that will familiarize you with the F-sharp Half-Diminished 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The half-diminished 7th is a diminished triad with a minor seventh, and it is a softer kind of tension than the fully diminished chord. It is the ii chord of minor keys and the vii chord of major keys, and it usually leads to a dominant.
The F♯ half-diminished 7th chord is the leading-tone chord (viiø7) in G major. In minor keys, it is the supertonic (iiø7) in E minor. On the keyboard this is the same chord as G♭ half-diminished 7th, a spelling none of the common keys uses.
The pattern to know is ii – V – i in a minor key. In E minor that is F♯ø7 – B7 – Em. The notes are also a minor 6th chord in inversion: F♯ø7 contains the same four notes as Am6, which is why theory books sometimes describe it as a minor triad with an added sixth. Try playing F♯ø7 and then F♯°7: the two chords differ by a single note, and it is worth hearing how much that one half step changes.
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