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The A-flat Dominant 7th Chord is A-flat, C, E-flat, and G-flat, with only the second note on a white key. The hand rests mostly on the black keys, and the chord pulls toward D-flat. Let's listen for the G-flat on top, since it's the note that creates that pull.
Let’s go through some charts that will familiarize you with the A-flat Dominant 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The dominant 7th is the chord that most wants to resolve. Its third and seventh form a tritone, and each of those notes pulls by step: the third up, the seventh down. That pull is what makes V7 lead so firmly to I.
The A♭ dominant 7th chord is the dominant (V7) in D♭ major. On the keyboard this is the same chord as G♯ dominant 7th, and the spelling follows the key. The G♯ dominant 7th chord is the dominant (V7) in C♯ minor.
The resolution is A♭7 – D♭: C steps up to D♭ and G♭ steps down to F. At a cadence, V7 – I is the sound of a phrase ending. When a dominant 7th chord turns up in a key where it isn’t the V7 (the chord built on the fifth scale degree), it is almost always pointing at the chord a fourth above it. Try playing A♭7 and then D♭ and listen for those two half steps.
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