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The B Half-Diminished 7th Chord is B, D, F, and A, all white keys. It's a diminished chord with an A on top, and the sound is dark but less tense than a fully diminished seventh. With four white keys, it's worth noticing where the hand sits so the shape stays consistent.
Let’s go through some charts that will familiarize you with the B Half-Diminished 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The half-diminished 7th is a diminished triad with a minor seventh, and it is a softer kind of tension than the fully diminished chord. It is the ii chord of minor keys and the vii chord of major keys, and it usually leads to a dominant.
The B half-diminished 7th chord is the leading-tone chord (viiø7) in C major. In minor keys, it is the supertonic (iiø7) in A minor.
The pattern to know is ii – V – i in a minor key. In A minor that is Bø7 – E7 – Am. The notes are also a minor 6th chord in inversion: Bø7 contains the same four notes as Dm6, which is why theory books sometimes describe it as a minor triad with an added sixth. Try playing Bø7 and then B°7: the two chords differ by a single note, and it is worth hearing how much that one half step changes.
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