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The D-flat Dominant 7th Chord is D-flat, F, A-flat, and C-flat. The C-flat is the white key B, so the chord alternates black and white keys. It's a strong, full sound that pulls toward G-flat, and the alternating keys make the 1-2-3-5 fingering feel natural once the hand settles into the black keys.
Let’s go through some charts that will familiarize you with the D-flat Dominant 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The dominant 7th is the chord that most wants to resolve. Its third and seventh form a tritone, and each of those notes pulls by step: the third up, the seventh down. That pull is what makes V7 lead so firmly to I.
The D♭ dominant 7th chord is the dominant (V7) in G♭ major. On the keyboard this is the same chord as C♯ dominant 7th, and the spelling follows the key. The C♯ dominant 7th chord is the dominant (V7) in F♯ minor.
The resolution is D♭7 – G♭: F steps up to G♭ and C♭ steps down to B♭. At a cadence, V7 – I is the sound of a phrase ending. When a dominant 7th chord turns up in a key where it isn’t the V7 (the chord built on the fifth scale degree), it is almost always pointing at the chord a fourth above it. Try playing D♭7 and then G♭ and listen for those two half steps.
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