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The G-sharp Major 7th Chord is G-sharp, B-sharp, D-sharp, and F-double-sharp. B-sharp and F-double-sharp are the white keys C and G, so the shape alternates black and white keys. The spelling is unusual, but the chord is simply A-flat major 7th written with sharps.
Let’s go through some charts that will familiarize you with the G-sharp Major 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The major 7th adds the note a half step below the octave, which gives the chord a soft, open sound with a little friction in it. In Baroque and Classical music it appears as a passing seventh inside a sequence, and in Romantic and Impressionist music it is used as a color chord on the tonic and the subdominant.
The common keys that use this chord are flat keys, so it is usually written as A♭ major 7th, and the spelling follows the key. The A♭ major 7th chord is the tonic (Imaj7) in A♭ major and the subdominant (IVmaj7) in E♭ major. In minor keys, it is the mediant (IIImaj7) in F minor and the submediant (VImaj7) in C minor.
The cadence to recognize is ii7 – V7 – I. In A♭ major that is B♭m7 – E♭7 – A♭maj7, where the tonic is colored with its seventh. In a sequence the seventh leans down by step into the next chord, and in a color chord it is left hanging for a moment before the music moves on. Try playing A♭ and then A♭maj7 and listen to what the added note does.
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