Questions and answers
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The E-flat major scale has three flats. The pair of black keys in the middle, A-flat and B-flat, sits under the same two fingers in each hand, and neither hand needs the fifth finger. It helps to notice early that both hands start on the third finger, so the thumbs are free for the white keys.
| E-flat Major Scale Overview | |
|---|---|
| Keyboard Layout | |
| Staff Layout | |
| Key Signature | Three flats (B♭, E♭, A♭) |
| Notes of Scale | E♭, F, G, A♭, B♭,C, D, E♭ |
| RH Fingering | 3 - 1 2 3 4 - 1 2 3 |
| LH Fingering | 3 2 1 - 4 3 2 1 -3 |
| Relative Scale | C Minor Scale |
| Parallel Scale | E-flat Minor Scale |
The E-flat major scale has three black keys: E-flat at each end, and a pair, A-flat and B-flat, in the middle. As a terrain, it’s two low valleys of white keys, F and G and then C and D, separated by a ridge of two black keys.
Here is the E-flat major scale for both hands together, one octave up and back down. The key signature has three flats, on B, E, and A.
Let’s start with each hand on its own. Every scale divides into two core positions, the groups of notes the hand can hold in one position: a group of three notes played with fingers 1-2-3 (red on the charts) and a group of four played with 1-2-3-4 (blue).
The core positions don’t start on the keynote, and neither hand needs the fifth finger. The right hand begins with the third finger on E-flat, which belongs to the three-note group C, D, and E-flat, and then plays F, G, A-flat, and B-flat as the four-note group. The left hand begins with E-flat, F, and G on 3-2-1, followed by the four-note group A-flat, B-flat, C, and D, and ends with the third finger on the top E-flat.
A useful way to work with the core positions is in three stages:
Once each hand feels reliable on its own, we can put them together. The difficulty here is that the two hands’ core positions don’t line up, so following them in both hands at once tends to create more confusion than clarity. Instead, let’s look for sync points: moments where both hands use the same finger on the same note, or where the fingers form a mirror image.
On the black keys, the 3rd fingers meet on the starting E-flat and again on the top E-flat, and fingers 3 and 4 form a mirror image on A-flat and B-flat. Having that pair of black keys under the same two fingers in each hand gives the middle of the scale a strong anchor.
The thumbs come together on the two pairs of white keys, F and G and then C and D, where fingers 1 and 2 form a mirror image, the “crab claw”.
The same three stages work for sync points:
Extending the E-flat major scale is simpler than it might seem, because neither hand uses the fifth finger. The same core positions just keep repeating, in both directions, until the top or bottom of the range. The right hand finishes on finger 3 and the left hand on finger 3, exactly as they do in one octave.
It’s tempting to begin with the thumb, but both hands start on the third finger. The black keys are for the longer fingers; the thumbs wait for the white keys.
If the hand drifts out toward the edge of the white keys, A-natural or E-natural can slip in. Keeping the fingertips close to the black keys keeps the pair A-flat and B-flat within easy reach.
Other techniques related to the E-flat major piano scale:
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