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The C Dominant 7th Chord is C, E, G, and B-flat: a C major chord with a B-flat added on top. With four notes, the fingering becomes 1-2-3-5, and the fifth finger reaches up to the one black key. That B-flat is what gives the chord its pull toward F, so let's make sure it doesn't get lost at the top of the hand.
Let’s go through some charts that will familiarize you with the C Dominant 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The dominant 7th is the chord that most wants to resolve. Its third and seventh form a tritone, and each of those notes pulls by step: the third up, the seventh down. That pull is what makes V7 lead so firmly to I.
The C dominant 7th chord is the dominant (V7) in F major. In minor keys, it is the dominant (V7) in F minor.
The resolution is C7 – F: E steps up to F and B♭ steps down to A. At a cadence, V7 – I is the sound of a phrase ending. When a dominant 7th chord turns up in a key where it isn’t the V7 (the chord built on the fifth scale degree), it is almost always pointing at the chord a fourth above it. Try playing C7 and then F and listen for those two half steps.
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