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The C-sharp Diminished Chord is C-sharp, E, and G, with the thumb on the black key and the two white keys close above it. Because the thumb starts on a black key, it helps to let the whole hand sit a little further into the keys. The chord is tight and tense, and it tends to lean toward D, a half step above.
Let’s go through some charts that will familiarize you with the C-sharp Diminished Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
A diminished chord stacks two minor thirds, and the result is tense and unsettled. It is never a place to rest. It behaves like a dominant 7th chord with the root missing, so it wants to move.
The C♯ diminished chord is the leading-tone chord (vii°) in D major. In minor keys, it is the leading-tone chord (vii°) in D minor and the supertonic (ii°) in B minor. On the keyboard this is the same chord as D♭ diminished, a spelling none of the common keys uses.
The notes C♯, E, and G are the top three notes of A7, so the chord leads to D the way A7 does. A common use is as a passing chord over a rising bass line, I – vii°6 – I6: D – C♯°/E – D/F♯, so the bass walks D, E, F♯. Try playing C♯° and then D and listen to how the tension settles.
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