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The B-flat Dominant 7th Chord is B-flat, D, F, and A-flat: black keys on the outside and white keys in the middle. The chord pulls toward E-flat, and let's listen for the A-flat on top, since it's the note that creates that pull.
Let’s go through some charts that will familiarize you with the B-flat Dominant 7th Chord and how to play it in the various forms you will encounter in pieces of music. First, we’ll look at the fundamental chord and its inversions; then, we’ll explore some more complex voicings.
The dominant 7th is the chord that most wants to resolve. Its third and seventh form a tritone, and each of those notes pulls by step: the third up, the seventh down. That pull is what makes V7 lead so firmly to I.
The B♭ dominant 7th chord is the dominant (V7) in E♭ major. In minor keys, it is the dominant (V7) in E♭ minor.
The resolution is B♭7 – E♭: D steps up to E♭ and A♭ steps down to G. At a cadence, V7 – I is the sound of a phrase ending. When a dominant 7th chord turns up in a key where it isn’t the V7 (the chord built on the fifth scale degree), it is almost always pointing at the chord a fourth above it. Try playing B♭7 and then E♭ and listen for those two half steps.
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